Showing posts with label Yourself. Show all posts
Showing posts with label Yourself. Show all posts
Wednesday, 19 December 2012
In my heart. Toward the purchase of

 I want everyone to be happy with my purchase of the site.
I do not know what everyone was happy.
But I just want a small smile. To all visitors on the web.
Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala

Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala



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Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala

Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala

Now shrouded in Guatemalan jungle, the ancient Maya city of Piedras Negras flourished between the sixth and ninth centuries, when its rulers erected monumental limestone sculptures carved with hieroglyphic texts and images of themselves and family members, advisers, and captives. In Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, Megan E. O’Neil offers new ways to understand these stelae, altars, and panels by exploring how ancient Maya people interacted with them.

These monuments, considered sacred, were one of the community’s important forms of cultural and religious expression. Stelae may have held the essence of rulers they commemorated, and the objects remained loci for reverence of those rulers after they died. Using a variety of evidence,O’Neil examines how the forms, compositions, and contexts of the sculptures invited people to engage with them and the figures they embodied looks at these monuments not as inert bearers of images but as palpable presences that existed in real space at specific historical moments. Her analysis brings to the fore the material and affective force of these powerful objects that were seen, touched, and manipulated in the past.

O’Neil investigates the monuments not only at the moment of their creation but also in later years and shows how they changed over time. She argues that the relationships among sculptures of different generations were performed in processions, through which ancient Maya people integrated historical dialogues and ancestral commemoration into the landscape.

With the help of more than 160 illustrations, O’Neil reveals these sculptures’ continuing life histories, which in the past century have included their fragmentation and transformation into commodities sold on the international art market. Shedding light on modern-day transposition and display of these ancient monuments, O’Neil’s study contributes to ongoing discussions of cultural patrimony.

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Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala

Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala

Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala



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In my heart. Toward the purchase of

 I want everyone to be happy with my purchase of the site.
I do not know what everyone was happy.
But I just want a small smile. To all visitors on the web.
Aratra pentelici; seven lectures on the elements of sculpture given before the University of Oxford in Michaelmas term, 1870


$19.99

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Aratra pentelici; seven lectures on the elements of sculpture given before the University of Oxford in Michaelmas term, 1870

$19.99

Aratra pentelici; seven lectures on the elements of sculpture given before the University of Oxford in Michaelmas term, 1870

Aratra pentelici; seven lectures on the elements of sculpture given before the University of Oxford in Michaelmas term, 1870



Aratra pentelici; seven lectures on the elements of sculpture given before the University of Oxford in Michaelmas term, 1870 Overviews
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1890 Excerpt: ... the Purgatory, and learn that whole passage by heart; and if ever you chance to go to Pistoja, look at La Robbia's coloured porcelain bas-reliefs of the seven works of Mercy on the front of the hospital there; and note especially the faces of the two sick men--one at the point of death, and the other in the first peace and long-drawn breathing of health after fever--and you will know what Dante meant by the preceding line, "Morti li morti, e i vivi paren vivi." 130. But now, may we not ask farther,--is it impossible for art such as this, prepared for the wise, to please the simple also? Without entering on the awkward questions of degree, how many the wise can be, or how much men should know, in order to be rightly called wise, may we not conceive an art to be possible, which would deceive everybody, or everybody worth deceiving? I showed you at my First Lecture, a little ringlet of Japan ivory, as a type of elementary bas-relief touched with colour; and in your rudimentary series you have a drawing, by Mr. Burgess, of one of the little fishes enlarged, with every touch of the chisel facsimiled on the more visible scale; and showing the little black bead inlaid for the eye, which in the original is hardly to be seen without a lens. You may, perhaps, be surprised when I tell you that (putting the question of subject aside for the moment, and speaking only of the mode of execution and aim at resemblance,) you have there a perfect example of the Greek ideal of method in sculpture. And you will admit that, to the simplest person whom we could introduce as a critic, that fish would be a satisfactory, nay, almost a deceptive, fish; while, to any one caring for subtleties of art, I need not point out that every touch of the chisel is applied with consum...



Do you buy the product ....
People buy the item below.
Products are as follows.
Click on the image to select the product in stock. Models and colors.
Click on the image to see the price inside.
and see the details inside in image
Can not find the product you want.
Using the scanner or click on the image to the many other products
Product Description Click the product image.
Thank you for using our services and property purchased with us.
CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED 'AS IS' AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.

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