denny Sculpture book store

shop.ccs.com CCS is proud to release this exclusive video interview with Nike SB and Habitat pro, Stefan Janoski. Stefan has been living in New York City as of late and in addition to his skating has been putting a ton into the development of his career as a visual artist. Working with mediums ranging from paint to cast bronze sculpture, Stefan keeps himself busy both shredding the streets of NYC and curating his own art shows in the city. Take a look and see for yourself and enjoy a few rip clips of Stefan and Clark Hassler at NYC's Astoria skatepark. Check Us shop.ccs.com CCS Blog blog.ccs.com Like Us facebook.com Follow Us: twitter.com Watch Us: youtube.com

Episode #091: Shot in his Johannesburg studio in South Africa, William Kentridge reveals the process behind the video work "Breathe" — a component of the larger project "(REPEAT) from the beginning / Da Capo" that debuted at the Teatro La Fenice in Venice and at the nearby Fondazione Bevilacqua La Masa in San Barnaba, Italy. Having witnessed first-hand one of the twentieth century's most contentious struggles—the dissolution of apartheid—William Kentridge brings the ambiguity and subtlety of personal experience to public subjects most often framed in narrowly defined terms. Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. Aware of myriad ways in which we construct the world by looking, Kentridge often uses optical illusions to extend his drawings-in-time into three dimensions. Learn more about William Kentridge: www.art21.org VIDEO | Producer: Wesley Miller & Nick Ravich. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Paulo Padilha & Mark Sutton. Artwork Courtesy: William Kentridge.

Here is a perimeter marble run around my sons room. The track runs around the entire room near the ceiling. The supports are walnut and a majority of the tracks and other parts are birch. Gear motors are run by "AA" battery packs. The marbles are 1 inch diameter. Go to the following link for more information on the building of this track: www instructables com/id/Kinetic-Marble-Track-Around-The-Top-Of-A-Room/

O professor Magno Brasil conversa com o ilustrador Renato de Moraes sobre criação de heróis durante a produção de uma página de HQ. Video aula das Escolas de Desenho Visuart.

Episode #094: Shot in his Johannesburg studio in South Africa, William Kentridge reveals the process and unusual presentation of the video work "Return" — a component of the larger project "(REPEAT) from the beginning / Da Capo" (2008) — which had its debut on the fire screen of Teatro La Fenice opera house in Venice, Italy. Having witnessed first-hand one of the twentieth centurys most contentious struggles—the dissolution of apartheid—William Kentridge brings the ambiguity and subtlety of personal experience to public subjects most often framed in narrowly defined terms. Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. Aware of myriad ways in which we construct the world by looking, Kentridge often uses optical illusions to extend his drawings-in-time into three dimensions. Learn more about William Kentridge: www.art21.org VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Mary Ann Toman. Artwork Courtesy: William Kentridge.

Episode #100: With his video "History of the Main Complaint" (1996) serving as a backdrop, William Kentridge discusses how artists draw upon tragedy as subject matter for their work and how drawing itself can be a compassionate act. Having witnessed first-hand one of the twentieth centurys most contentious struggles—the dissolution of apartheid—William Kentridge brings the ambiguity and subtlety of personal experience to public subjects most often framed in narrowly defined terms. Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. Aware of myriad ways in which we construct the world by looking, Kentridge often uses optical illusions to extend his drawings-in-time into three dimensions. Learn more about William Kentridge at: www.art21.org VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Paulo Padilha. Artwork Courtesy: William Kentridge.